A bedroom record made by one of the biggest guitarists on Earth, while his stadium band was selling out arenas. Going Inside and Ramparts on the same album make a case for masterpiece ā and the credits list is almost embarrassingly short.
One woman, one Roland groovebox, and a thesis: the aesthetic is the art. Framed against the 2002 electroclash explosion ā Miss Kittin, Fischerspooner, Felix da Housecat ā and the ways Peaches outlasted the entire scene she came in with.
A monster and a lullaby. Drukqs is a double album that contradicts itself at every turn ā and at its heart, a broken upright piano and a two-minute piece that became one of electronic music's most intimate confessions.
Rave-baroque fusion that finds the common ancestor both traditions share: mathematical precision, physical resonance, and collective altered states.
Daniel Lopatin presenting Tranquilizer at Culturgest, Lisbon ā and the bridge it builds back to the Marty Supreme soundtrack.
Rare Portuguese jazz with deep African roots ā bamboo flute as the centre of something that barely has a name.
Live at Culturgest for the new album presentation. Bruno Pernadas keeps shapeshifting.